Granted, I tend to take what might be considered an overly-literary approach to things, but I think you may need to find a few examples of second-person narration that work for you and try to figure out why they work for you.
I’ve experimented with the second person on rare occasions – twice, if memory serves. Both times it was in stories with a horror focus, and both very short (under 1000 words). I don’t think I’ve sold either piece (they’re in a “trunk” file on my flash drive somewhere), which may be more a reflection on me than on the second-person.
The hardest thing of second person is that it’s so very…“writerly.” I find it harder to get the writer to forget they’re reading and sink into the world of the story with such a constant reminder. (BTW, I have a similar issue with first-person POV, for what it’s worth. I usually only use first person when I’m telling a story with an unreliable narrator.)
It can be done, but I’ve seen it most successful in shorter pieces. I’m aware of novel length works that use it – Charles Stross’s Rule 34 and a YA novel whose name escapes me – but I’ve not read them so I can’t comment on how well they work.